Caspar David Friedrich Eserleri - Caspar David Friedrich Tabloları - Caspar David

**Serap** · 02.11.11, 01:20

Caspar David Friedrich Eserleri - Caspar David Friedrich Tabloları - Caspar David Friedrich Resimleri

Chalk Cliffs on Rügen, (1818). 90.5 × 71 cm. Museum Oskar Reinhart am Stadtgarten, Winterthur, Switzerland. Friedrich married Christiane Caroline Bommer in 1818, and on their honeymoon they visited relatives in Neubrandenburg and Greifswald. This painting celebrates the couple's union.

Wanderer above the Sea of Fog (1818). 94.8 × 74.8 cm, Kunsthalle Hamburg. This well-known and especially Romantic masterpiece was described by the writer John Lewis Gaddis as leaving a contradictory impression, "suggesting at once mastery over a landscape and the insignificance of the individual within it. We see no face, so it's impossible to know whether the prospect facing the young man is exhilarating, or terrifying, or both."

The Tetschen Altar, or The Cross in the Mountains (1807). 115 × 110.5 cm. Galerie Neue Meister, Dresden. Friedrich's first major work, the piece breaks with the traditions of representing the crucifixion in altarpieces by depicting the scene as a landscape.

Georg Friedrich Kersting, Caspar David Friedrich in his Studio (1819). 51 × 40 cm. Alte Nationalgalerie, Berlin. Kersting portrays an aged Friedrich holding a maulstick at his canvas.

The Abbey in the Oakwood (1808–10). 110.4 × 171 cm. Alte Nationalgalerie, Berlin. This painting has been described as like "a scene from a horror movie, it (forebears) all the Gothic clichés of the late 18th and early 19th centuries".

Man and Woman Contemplating the Moon (1830–35). 34 × 44 cm. Alte Nationalgalerie, Berlin. In this work, the artist depicts a couple gazing longingly at nature. Dressed in "Old German" clothes, according to Robert Hughes they are "scarcely different in tone or modelling from the deep dramas of nature around them".

The Sea of Ice (1823–24), Kunsthalle Hamburg. This scene has been described as "a stunning composition of near and distant forms in an Arctic image".

Landscape with Owl, Grave, and Coffin (1836–37). Pencil and sepia drawing.

Edvard Munch, The Lonely Ones, (1899). Woodcut. Munch Museum, Oslo

Paul Nash, Totes Meer (Sea of the Dead), 1940–41. 101.6 x 152.4 cm. Tate Gallery. Nash's work depicts a graveyard of crashed German planes comparable to The Sea of Ice (above). Nash described the image as a sea, even suggesting that the jagged forms were not metal but ice.

02.11.11, 01:20	#2 (permalink)
Kullanıcı Profili Serap Moderator Kullanıcı Bilgileri Üyelik tarihi: Jan 2008 Nerden: Denizli Mesajlar: 4.766 Konular: 1880 Puan Grafiği Rep Puanı:5102 Rep Gücü:72 RD: Teşekkür Ettiği Teşekkür: 682 226 Mesajına 380 Kere Teşekkür Edlidi :	Caspar David Friedrich Eserleri - Caspar David Friedrich Tabloları - Caspar David Caspar David Friedrich Eserleri - Caspar David Friedrich Tabloları - Caspar David Friedrich Resimleri Chalk Cliffs on Rügen, (1818). 90.5 × 71 cm. Museum Oskar Reinhart am Stadtgarten, Winterthur, Switzerland. Friedrich married Christiane Caroline Bommer in 1818, and on their honeymoon they visited relatives in Neubrandenburg and Greifswald. This painting celebrates the couple's union. Wanderer above the Sea of Fog (1818). 94.8 × 74.8 cm, Kunsthalle Hamburg. This well-known and especially Romantic masterpiece was described by the writer John Lewis Gaddis as leaving a contradictory impression, "suggesting at once mastery over a landscape and the insignificance of the individual within it. We see no face, so it's impossible to know whether the prospect facing the young man is exhilarating, or terrifying, or both." The Tetschen Altar, or The Cross in the Mountains (1807). 115 × 110.5 cm. Galerie Neue Meister, Dresden. Friedrich's first major work, the piece breaks with the traditions of representing the crucifixion in altarpieces by depicting the scene as a landscape. Georg Friedrich Kersting, Caspar David Friedrich in his Studio (1819). 51 × 40 cm. Alte Nationalgalerie, Berlin. Kersting portrays an aged Friedrich holding a maulstick at his canvas. The Abbey in the Oakwood (1808–10). 110.4 × 171 cm. Alte Nationalgalerie, Berlin. This painting has been described as like "a scene from a horror movie, it (forebears) all the Gothic clichés of the late 18th and early 19th centuries". Man and Woman Contemplating the Moon (1830–35). 34 × 44 cm. Alte Nationalgalerie, Berlin. In this work, the artist depicts a couple gazing longingly at nature. Dressed in "Old German" clothes, according to Robert Hughes they are "scarcely different in tone or modelling from the deep dramas of nature around them". The Sea of Ice (1823–24), Kunsthalle Hamburg. This scene has been described as "a stunning composition of near and distant forms in an Arctic image". Landscape with Owl, Grave, and Coffin (1836–37). Pencil and sepia drawing. Edvard Munch, The Lonely Ones, (1899). Woodcut. Munch Museum, Oslo Paul Nash, Totes Meer (Sea of the Dead), 1940–41. 101.6 x 152.4 cm. Tate Gallery. Nash's work depicts a graveyard of crashed German planes comparable to The Sea of Ice (above). Nash described the image as a sea, even suggesting that the jagged forms were not metal but ice. --------------Tualimforum İmzam-------------- Serap